In Dr. Watson Parker's book "Black Hills Ghost Towns", this image of an un-named church appeared. Sitting on the edge of a Badlands chasm, I thought I'd located it last year when I photographed St. Joseph's Mission, on the Pine Ridge Reservation. Mom and I went back this spring to see if the angles from the old shot matched. They don't. We then spent a couple of lovely hours driving around the Badlands, detoured by a road closure on the two-lane between Scenic and the White River Ranger station. We drove miles out of our way, over Red Shirt Table all the way to Kyle and back to Rapid City.
We went back a few days later, and tried to access another possible mission that I've only found on the 7.5 minute USGS quads. Five miles down a single track farm road on top of Bouquet Table, we were turned back again by high water over Cain Creek. This year has been especially wet in Western South Dakota. Lots of hail, thunderstorms, rain. The resulting muck in the Badlands clay is not a pretty sight when you're stuck in it, so we turned around. On the way back, the clouds broke, and I got this wonderful shot looking northward toward the Badlands.
We did have a lovely outing in the Badlands. I got my Senior Interagency Access Pass for all the National Parks -- an amazing value for $10, BTW! You can get 'em at any National Park entrance station, or by mail order for an extra $10. And we spoke to a ranger at the visitor center, who confirmed my guess that St. Barbara's is likely the church in the 1958 photograph. Google satellite imagery is unclear as to whether the church is still standing. It appears as if it may have burned down.
I'm going to give it another shot this August, and see if I can find the church from the south, unless the river crossings have dried up. (Not likely). It will be a good adventure, nonetheless.
Free shipping on small and medium prints has ended as of August 5, 2015. Thanks to everyone who ordered prints and took advantage of the offer!
In between shows, I spent several days in the Vicksburg, Mississippi area. My main objective was to revisit the town of Rodney, once a booming town south of Vicksburg. The town has a long history before the Civil War, but now only a few residents remain. While I was there, wandering the dusty streets, the sound of someone mowing a lawn drifted through the town. Two churches remain: the Baptist church, which is deserted, and the Presbyterian church, which is in much better condition. I'll post a few more images next week, but this shot from the Baptist church speaks to my soul.
Look for some great artists at this year's tenth anniversary Woodlands Waterway Art Festival, in The Woodlands, Texas. I'm lucky to be one of the invited artists again this year, and I always look forward to festival, the people and the wonderful venue along the Waterway. You can find me in booth 225, round the middle of the pathway near Town Center Park. I'll be showing some brand new work as well as some of the old favorites.
March 13-15, 2015
The first show of our 2015 season, "Under the Oaks" in Vero Beach, Florida, was a resounding success, thanks to the new friends we made, and the images we sent home with several happy customers. While the visitors to Vero's Riverside Park event seemed sparse, there were buyers out looking. I had some very interesting conversations with several of you, about traveling the backroads, ghost towns and photography in general.

The show is easy to do, logistically. You gotta love a show that lets you park your van or trailer behind your booth. It sure makes it easy to restock inventory, or find a piece that isn't on display. And since Karyn and I hadn't done an outdoor show for several months (Michigan is just not conducive to outdoor festivals in January or February), we were a bit rusty on the details. UTO gives us the perfect opportunity to get our routines down again, and remember where we stashed that critical piece of equipment.
The show set-up is Thursday, before the show opens on Friday. Driving into the park, I was greeted by the show folks at the entrance, and given my packet with directions to my spot. I backed the trailer into position and got the canopy and walls up with only minor discomfort. Karyn was not with me for the first part of the set-up, due to a delay in her travel plans from Detroit. She usually flies in for the weekend shows, while I'm the one who moves the show trailer from city to city. This time, her flight plans had been derailed, and she planned to fly into Orlando and rent a car to meet me later in Vero Beach.
After hanging all the art on Thursday, we went to our hotel, and a pleasant romantic dinner for the two of us at Carraba's. Friday morning dawned clear and bright, and we got the display open and ready for business by 9AM. We saw the quality control volunteer and then shortly after, the judges came by to evaluate the artists for awards.
Friday we sold a few matted prints, but after about 1PM, the crowds thinned out, and by 3PM it was pretty much a ghost town. The show hours run from 9-5 both Friday and Saturday, and a very civilized 10-4 on Sunday. Friday night, the Vero Beach Art Club hosts an artists dinner at the Elks Club, catered by Scampi Grill. We enjoyed the party and the food, in the company of several artist friends. I was pleasantly surprised to win an award this year -- Second Place in the Photography/Digital/Mixed Media category. This is primarily a painter's show, and there are three separate categories for painting, while other media are lumped together in one homogenous group. Glass, Wood and Crafts are all in the "Crafty Crafters" category -- our friends Beth and Stephen Radtke won for their marvelous carved gourd work.


Saturday was a repeat of Friday, with a few sales of smaller matted work. We had a steady flow of customers, and lots of interest about the subject of my work. We kept busy until about 1:30, when again, it got a little too warm for folks, and the foot traffic dwindled. In Vero Beach, people like to come early before the sun heats up the path too much. It's a pleasant experience in the morning, and many people opt to come for an hour or two before the heat of the day. Saturday night, we had light snacks and cocktails at the bar at Bonefish, a favorite hangout. Then it was off to a party at one of the artist's homes in Vero. Alan and Barbara host a party for the UTO artists every year, and they have a lovely home with a secret garden. Lots of fun with friends.
Sunday we rinsed and repeated. Two very good sales, and lots of laughs with new acquaintances. I tried out my new iPad email sign-up form. I'm using Chimpadedoo, which is tied to MailChimp. It's simple to setup, but seems to suffer from a lack of visibility, since an iPad mini doesn't look like a guest book. The form is hard to see in bright light, too. Some bugs to work out, but I like the idea of letting guests type in their own email address, and once entered, the data isn't visible to other people.

Load out was easy. The predicted rain shower came quickly and was over fast around noon, and we had dry tents by load-out time. Most everyone was gone by the time we had our work packed and reconfigured for the next show in Naples this coming weekend. I'm going to try something different at this show. More about that, later.
It's a local show that's well-supported by a well-educated older population. The work is biased towards painters, since the Vero Beach Art Club, who runs the show, is primarily an organization of painters. No photographs on canvas can be hung here, which is somewhat of an arcane rule, but it's their show. They can run it however they see fit. It has its quirks, but all in all, it's a well-run show, and easy to do. This year, sales and attendance seemed lower than in years past. You couldn't blame the weather, and we did well. All in all, we had a fun time in Vero Beach.
If you are interested in applying to the show, applications are posted to Juried Art Services in the fall preceding the show year. The show's website is http://verobeachartclub.org